The Passionate Elopement — Edition Insights

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MacKenzie, Compton, 1883-1972 Project Gutenberg 2011 Not confirmed
England -- Social life and customs -- 18th century -- Fiction; Health resorts -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 112,385
Reading time 489 min
Text sections 11

Before opening The Passionate Elopement — Edition Insights, the edition data offers a quick orientation: 112,385 words, 8 hr 9 min estimated reading time, and 11 detected text sections.

The text analysis averages about 17.2 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “England -- Social life and customs -- 18th century -- Fiction,” connecting these edition facts with the source record’s subject description.

An editorial note on Compton Mackenzie's 1911 novel set in the 18th-century spa town of Curtain Wells, focusing on how the opening, middle, and later excerpts guide a first reading through its mock-heroic style, layered plotting, and period detail.
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Editorial Edition Score 4.8/5

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Courteen looked very demure indeed and quite innocent of anything or anybody in the world, he would put the piece of paper in his handkerchief and press the handkerchief to his lips and look round the corner of his eyes at Phyllida, who would just by chance be looking round the corner of her eyes to ascertain if her Mamma were beckoning to her. And this used to happen every fine morning during the promenade, and continued to happen for many days afterwards.

Half-past nine o'clock struck, and the promenaders all turned on their heels to hear Mr. Ripple divulge the gaiety of the day.

It is not to be supposed that Curtain Wells was careless of her pilgrims' pleasure. On the contrary every hour of their visit was wreathed in delightful possibilities of enjoyment. At present it was Winter so that naturally most of the entertainments occurred indoors, but in late Spring and Summer a series of Fetes Champetres and Fetes Aqueuses, of moonlight Concertos, harlequin Ridottos, and lantern Masquerades made Curtain Wells a tolerably attractive stage for the marionettes who postured and declaimed upon its boards.

There was much tiptoe attention for the Beau as he ascended a marble pedestal and slowly turned the pages of a notebook bound in tooled Morocco leather, gilt-edged, and of impeccable finish and design.

"My Lords," Mr. Ripple began, whereupon old Lord Vanity, blinking several times at his daughter Lady Jane Vane, took an extra large pinch of Rappee.

"My Lords, Ladies and Gentlemen, I have the extreme honour to inform you that the Publick Breakfast given to Sir Jeremy Dummer for the purpose of commemorating his twenty-first consecutive winter at Curtain Wells will be held (_Deo volente_) at the Town Hall to-morrow the fifteenth instant."

A murmur of delighted anticipation ran round the Exquisite Mob while Sir Jeremy Dummer who was verging on nonagenarian antiquity drew himself up very erect, quivering and doddering with senile pride. "There will be the usual loyal and personal toasts," continued the Beau, "and at the conclusion of the entertainment the Company will adjourn to the Civic Chamber, where I hope the ladies will be already arrived, in order to partake of a dish of tea. I may add that the tea, duty paid, has been generously presented by Mr. Hopkins of the High Street, well known to many of you as the incomparable provider of the rarer dried delicacies which have traced prodigal patterns over so many of your mahogany tables."

The Exquisite Mob murmured its gratitude for the tea and the compliment with much condescension and affableness, while the publick spirit of the tradesman was generally extolled.

"To-night at precisely half-past six o'clock, Mrs. Dudding's Conversazione. Quadrille tables for ninety-six players, Pope Joan for the young and sprightly and--ahem--a Pharaoh table in order that our gentlemen, Mrs. Dudding informs me, may have no valid excuse for absenting themselves on the score of dullness. Chairs at precisely half-past ten o'clock and I must request you, my lords, ladies and gentlemen, to warn your chairmen that quarterstaff play with the poles will be visited with your acutest displeasure. I am sorry to complain of an abuse on a morning when the prospect of Nature is so vastly pleasant, but last week the whooping and halloaing of the partizans caused me to place Basto upon the Ponto of my Vis a Vis."

The Exquisite Mob sighed in sympathetick consternation as, with a perceptible break in his voice, Mr. Ripple made this confession.

"And since I am temporarily launched upon unpleasant topicks, I must beg for earlier and less riotous hours at the _Blue Boar_. It is exceedingly ungenteel to throw quart bottles of Burgundy at the watch. The latter is a fine body of men devoted to the service of an orderly and decent society, and does not deserve a crown of plaisters as the result of publishing the hour of the night and the state of the weather. However, I will mention no names, gentlemen."

Lord Vanity, not feeling himself included in the last vocative, took a pinch of Rappee and gazed very fiercely at my Lady Bunbutter through the rheum and water of his ancient eyes. As her ladyship showed no signs of a guilty conscience, the Earl took a second pinch and muttered "devilish young cubs" under his breath.

The first chapter, 'The Toilet,' establishes a mock-heroic tone by describing the sun's return after 'thirteen pallid February days' with a simile comparing it to 'a rushlight stuck amid the cobwebs of a garret.' The spa town of Curtain Wells is presented as a place of 'monastick ideal of regularity,' where morning discipline precedes evening dalliance. The narrator's arch voice—referring to 'hooped Venus or bag-wigged Cupid'—signals a satirical treatment of 18th-century social rituals.

This opening primes readers for a work that delights in stylistic play and period detail, but also hints at a plot driven by romantic intrigue beneath the surface of routine.

The Mock-Heroic Register and Its Clues

The opening paragraph's elaborate syntax and classical allusions ('Æsculapius,' 'Castalian Spring') immediately announce a narrator who treats the spa's regimen with ironic reverence. The sun's 'profuse glories' and the town's 'conscious existence' personify the setting, while the catalogue of ailments—'Vapours, Winds, Gouts, Quinsies'—mocks the medical pretensions of the era. Readers should note how this voice persists: in later excerpts, the dialogue between Vernon and Mother Mawhood shifts to a coarser, colloquial register, but the narrator's wry commentary (e.g., 'the Welch Main was a peculiarly bloody form of cock-fighting') maintains the ironic distance. This contrast between elevated narration and gritty action is a key structural device.

The Middle Excerpts: Plot Machinery and Social Texture

The conversation between Francis Vernon and the 'monstrous old woman' Mother Mawhood reveals the novel's plot engine: an elopement is being arranged. Details like 'a pearl necklace,' 'lodgings near the Haymarket,' and the hiring of postboys ('Charlie and Dickie Maggs') ground the intrigue in practical logistics. The dialogue is thick with period slang ('vay' for 'way,' 'pops' for pistols) and transactional banter about 'goldfinches' (a euphemism for money or favors). This section also introduces the farm setting for a cock-fight, linking the romantic plot to a brutal rural pastime. Readers should watch how these threads—the elopement scheme and the violent sport—intertwine, as the novel's title suggests passion may be less romantic than transactional.

Recurring Motifs: Time, Discipline, and Performance

From the opening's 'simultaneous toilet' to the 'strict matutinal discipline' of Curtain Wells, time is a governing force. The spa's schedule—'Drums, routs, auctions, ridottos, and masquerades'—structures social life, yet the plot hinges on secret, unscheduled acts (the elopement). The narrator's reference to 'romantick dusk or sunset candlelight' as a reward for morning obedience sets up a tension between public performance and private desire. In the middle excerpt, Vernon's careful planning ('any time this month') contrasts with the chaotic noise of the cock-fight. This motif of controlled versus unruly time may foreshadow the elopement's disruption of the spa's orderly facade.

Voice and Dialogue: A Guide to Character

Mackenzie differentiates characters sharply through speech. Vernon speaks in clipped, genteel phrases ('Egad, I've a pretty little job for Moll'), while Mother Mawhood uses a broad, phonetic dialect ('Vell! and good honest boys ain't so easy found in Curtain Vells!'). Her repeated 'v' for 'w' and her proverbial warnings ('a body should') mark her as a lower-class, worldly figure. The narrator's own voice—arch, Latinate, and fond of parentheses—stands apart. Readers should attend to these vocal layers: they signal social hierarchy and moral stance. The novel's comedy often arises from the gap between the narrator's polished irony and the characters' raw speech, as when Mawhood's bluntness punctures Vernon's euphemisms.

Given the excerpts, a first-time reader should expect a novel that balances period comedy with a plot driven by clandestine arrangements. The mock-heroic opening rewards attention to stylistic detail, while the middle sections ground the story in concrete transactions—money, lodgings, birds. The later excerpt's shift to a cock-fight suggests that violence and pleasure coexist uneasily. Approach the text as a performance of 18th-century manners, where the narrator's wit is as important as the events themselves.

The drizzle blurred my window as I lost myself in the mock-heroic courtships of Curtain Wells, its wit so dry it felt like sherry. Later, that same quiet afternoon, I stumbled upon another of Mackenzie’s worlds—a more modern, melancholic study of character. It felt like turning a page. A Damaged Reputation — Edition Insights lingers there, a shadow of consequence. One faded into the other naturally, as afternoon rain becomes evening. A simple, gentle transition.

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