The Sixty-First Second — Inside the Classic

(0 User reviews)   735
Johnson, Owen, 1878-1952, Wenzell, A. B. (Albert Beck), 1864-1917 [Illustrator] Project Gutenberg 2015 Not confirmed
Detective and mystery stories; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 92,644
Reading time 403 min
Text sections 14

Before opening The Sixty-First Second — Inside the Classic, the edition data offers a quick orientation: 92,644 words, 6 hr 43 min estimated reading time, and 14 detected text sections.

The text analysis averages about 13.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Detective and mystery stories,” connecting these edition facts with the source record’s subject description.

Owen Johnson's 1913 mystery novel set in New York's financial elite, where a stolen ring exposes hidden relationships and motives during a looming panic. Detective McKenna navigates conflicting interests among a self-made tycoon, an old-money aristocrat, and a woman with secrets.
Share
Editorial Edition Score 4.8/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

nk his chin in his palm, said:

"What a convenient formula! And is that the way you always begin?"

"Do you know," she continued, "it is extraordinary how simple you big men—you trust kings—are. You have the vision of an eagle on one side, and the groping glance of a baby when you deal with us. Sometimes I think that it’s all instinct, that all you understand is to throw down what resists you—that you haven’t great minds at all, and that that is all that interests you in business and in us. That is why a big man will always end up by meeting some little woman who will lead him around by the nose. Any little fool of a woman who knows enough never to cease resisting you can do it."

"Do you like me?" he said brutally.

"Are you planning to marry me?"

She smiled her languid, amused smile without shifting her glance from his.

"Why don’t you come to the point?" she said.

"I don’t have to ask your game; I know it."

"Shall I tell you why you came here at a moment when you are at bay, attacked everywhere?"

"To find out what I know about Majendie."

"Do you know anything?"

"He is coming here tonight," she said.

"No, that is not it," he said scornfully, rising and again approaching her. "You know better. You exhilarate me—you wake me up; and I need to be stimulated. So you’ve got it back in your little brain to marry me," he said, looking down with amused contemplation at the reclining figure, that was not so much human as a perfumed bed of flowers; "that is, if I pull through and keep my head above water."

He hesitated a moment, and then said:

"Why did you keep me waiting? Just to annoy me?"

"I wonder," she said, looking up from under her eyelashes at his towering figure. "Perhaps it was to teach you some things are difficult."

"Perhaps—and I’m afraid I shall irritate you many more times."

He took a step nearer and said abruptly:

"Look out! I don’t play fair."

"Neither do I," she said.

She took the button up again, frowning in a nonchalant way, and held it a moment while she waited for his decision. He shrugged his shoulders and stood back, taking several steps toward the center of the room.

"Listen, John G. Slade," she said, her tone changing from the felinely feminine to the matter-of-fact, "don’t let’s continue as children. You are no match for me at this game. I warn you. Come. Be direct. Will you have me as an ally?"

He turned and looked at her, considering.

"Is it of importance to you to know the probable fate of Majendie and the Atlantic Trust?"

"I may have means of learning just that information tonight."

"What do you want in return?"

"Full confidence. I want two questions answered."

She had raised herself to a sitting position out of the languor which was not the indolence of the Oriental, but rather the volcanic slumbering of the Slav, always ready to break forth into sudden tremendous exertion.

"Can the Associated Trust meet its Wednesday obligations without assistance?"

"And second?" he said, amazed at the detailed knowledge that her question implied.

"Second, if it can’t, will the Clearing-house help it through?"

"What difference to you would it make to know?"

"How long have you known Bernard Majendie?" he said slowly.

She accepted the question as a rebuff.

"There are my terms," she said, sinking back on the couch. "You don’t wish an ally, then?"

"You don’t trust me?"

"I knew you wouldn’t," she said indolently; "and yet, I could help you more than you think."

"I trusted a man once," he said scornfully. "I have never made that mistake with a woman."

"Are you trying a flyer?" he said, smiling. "That’s the game, is it—a tip?"

"I have told you," she said coldly and in a tone that carried conviction, "that what interests me is to win the game itself, the excitement and the perils. And I have been behind the scenes many times."

"I believe it," he said abruptly. "I should like to hear—"

"I am a woman who keeps the secrets of others and her own," she answered, interrupting his question.

"And if you marry?" he said curiously.

"Even then." She dismissed the return to the personal with the first quick movement of her hand and continued: "I should say, you are the best hated man in Wall Street."

"That’s not exactly inside information."

"No one is going to come to your help out of friendship."

The novel opens with a financial panic looming over New York in October of an unspecified year, immediately establishing a world where fortunes are made and lost in a frenzy. Johnson contrasts two titans: Bernard L. Majendie, a patrician from an old American family, and John G. Slade, a self-made promoter from the lowest depths of society. This opposition—old money versus new, inherited status versus earned wealth—sets the stage for a mystery that is as much about social tensions as about a stolen ring.

The theft occurs during a dinner party, and the investigation by detective McKenna reveals layers of concealment. The ring's history ties Slade to Mrs. Kildair, who prefers to lose it rather than expose how it came to her. McKenna's methodical approach—running down every alley—drives the narrative, but the excerpts show that the characters' motives remain deliberately ambiguous.

Contrasting Titans: Majendie and Slade

The opening chapter introduces two financial giants who embody opposing social forces. Bernard L. Majendie is described as a member of every exclusive club, a patron of the arts, and a representative of one of the oldest American families. In contrast, John G. Slade is a promoter and manipulator who hauled himself out of the lowest depths of society. Their shared peril in the looming panic creates a dramatic tension: which type of man will survive? Johnson uses this dichotomy to explore class dynamics in early 20th-century New York. The public, we are told, perceives only these two figures as the center of the financial drama, humanizing the abstract catastrophe. This framing suggests that the mystery will be as much about social identity as about the theft itself.

The Detective's Method: Patience and Suspicion

Detective McKenna emerges as a methodical investigator who distrusts easy conclusions. In the excerpts, he outlines his approach: by patience and by running down every alley till we find it is an alley. He considers multiple motives for the ring's theft, including the possibility that Slade himself took it after a quarrel with Mrs. Kildair. McKenna is careful not to assume guilt, noting that there is one thing no human being can ever say offhand about a woman's situation. His questions to Beecher and Gunther reveal his focus on who knew about Slade's gift and who might have needed money quickly. The detective's skepticism extends to the police detectives hired by Mrs. Kildair, wondering if they were told to search or told not to find the ring. This layered suspicion keeps the reader uncertain about the true culprit.

Mrs. Kildair's Secret and the Ring's History

The stolen ring is more than a valuable object; it is a clue to a hidden relationship. McKenna deduces that Mrs. Kildair prefers to lose the ring rather than have it discovered how it came to her, implying a connection to Slade that she wishes to conceal. Beecher, who knows her, is perplexed: I don't believe it. She's deeper than that. The detective's theory that the thief knew enough of the ring's history to exploit Mrs. Kildair's silence adds a layer of blackmail to the plot. The excerpts do not reveal the full nature of her relationship with Slade, but the tension is palpable. When McKenna receives a phone call from someone he expected—and Gunther guesses it is Slade—the story hints at a direct confrontation between the detective and the tycoon. The reader is left to wonder what Slade knows and what he might reveal.

Readers should pay close attention to the social cues and class distinctions that Johnson weaves into the dialogue and descriptions. The financial panic is not merely a backdrop but a force that shapes characters' decisions and alliances. The mystery of the ring is intertwined with questions of reputation and power, and McKenna's investigation reveals as much about the characters' social positions as about their guilt. The novel rewards careful reading of its period details and the subtle ways characters reveal or conceal their motives.

Some mysteries hide their treasures in vaults, others in the silences between old loyalties. Owen Johnson’s The Sixty-First Second feels that way—secrets pressed against fine linen. So too, I find, does My Lords of Strogue, Vol. 1 (of 3) A Chronicle of Ireland, from the Convention to the Union — Background and Themes, where inheritance and hidden motive bind a people as tightly as any Wall Street panic. A quiet kinship, indeed.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

How will you remember this book?

Save your reaction, strongest insight, and memorable passage.

Your progress 0 / 10
1

Which reading stage best describes you?

2

Did this book hold your interest?

3

Is this a title you would suggest to others?

4

How demanding did the text feel?

Related eBooks