Fore! — Reading Companion
Edition facts
This digital edition of Fore! — Reading Companion is described by source-level measurements including 80,779 words, 5 hr 52 min estimated reading time, and 7 detected text sections.
The text analysis averages about 13.9 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Golf stories,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
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Read the Text
Wally was puzzled. He didn't quite know what to make of it. "But a red flag," said he, "gives you the right of way."
"Everywhere but here," said Billy Williams.
"But in this case it's a rule!" argued Wally.
"Those fellows in front make their own rules."
"But the Greens Committee----" And this was where everybody laughed.
Wally stooped and teed his ball.
"Look here," said he, "I'll bet you anything you like that they let us through. Why, they can't help themselves!"
"You bet that they'll let you through of their own accord?" asked Ben Ashley, who never has been known to pass up a plain cinch.
"On our request to be allowed to pass," said Wally.
"If you drive into 'em without their permission you lose," stipulated Ben.
"Got you for a dozen balls!" said Ben.
"Anybody else want some of it?" asked Wally.
Before he got off the tee he stood to lose six dozen balls; but his nerve was unshaken and he slammed out another tremendous drive. I sliced into a ditch and away we went, leaving a great deal of promiscuous kidding behind us. It took me two shots to get out at all, and Wally picked up another hole on me.
On the sixth tee we ran into another mass meeting of malcontents. Old Man Martin, our prize grouch, grumbled a bit when we called attention to our red flags.
"What's the use?" said he. "You're on your way, but you ain't going anywhere. Might just as well sit down and take it easy. Watlington has got a lost ball, and the others have gone on to the green so's nobody can get through. Won't do you a bit of good to drive, Wally. There's two foursomes hung up over the hill now, and they'll be right there till Watlington finds that ball. Sit down and be sociable."
"What'll you bet that we don't get through?" demanded Wally, who was beginning to show signs of irritation.
"Whatever you got the most of, sonny--provided you make the bet this way: they got to _let_ you through. Of course you might drive into 'em or walk through 'em, but that ain't being done--much."
"Right! The bet is that they let us through. One hundred fish."
Old Martin cackled and turned his cigar round and round in the corner of his mouth--a wolf when it comes to a cinch bet.
"Gosh! Listen to our banty rooster crow! Want another hundred, sonny?"
"Yes--grandpa!" said Wally, and sent another perfect drive soaring up over the hill.
Number Six is a long hole, and the ordinary player never attempts to carry the cross-bunker on his second. I followed with a middling-to-good shot, and we bade the congregation farewell.
"It's ridiculous!" said Wally as we climbed the hill. "I never saw a foursome yet that wouldn't yield to a red flag, or one that wouldn't let a twosome through--if properly approached. And we have the right of way over everything on the course. The Greens Committee----"
"Is composed," said I, "of Watlington, Peck and Peebles--three members of the Big Four. They built the club, they run the club, and they have never been known to let anybody through. I'm sorry, Wally, but I'm afraid you're up against it."
The boy stopped and looked at me.
"Then those fellows behind us," said he, "were betting on a cinch, eh?"
"It was your proposition," I reminded him.
"So it was," and he grinned like the good game kid he is. "The Greens Committee, eh? 'Hast thou appealed unto Caesar? unto Caesar shalt thou go.' I'm a firm believer in the right method of approach. They wouldn't have the nerve----"
"They have nerve enough for anything," said I, and dropped the subject. I didn't want him to get the idea that I was trying to argue with him and upset his game. One foursome was lying down just over the hill; the other was piled up short of the bunker. Watlington had finally found his ball and played onto the green. The others, of course, had been standing round the pin and holding things up for him.
I took an iron on my second and played short, intending to pitch over the bunker on my third. Wally used a spoon and got tremendous height and distance. His ball carried the bunker, kicked to the right and stopped behind a sandtrap. It was a phenomenal shot, and with luck on the kick would have gone straight to the pin.
The dedication to Ed. Tufts, a pioneer golfer, immediately establishes the collection's affectionate, insider tone. Van Loan recalls first seeing Tufts 'beating savagely' at a ball with 'weapons of wood and iron,' a mock-heroic framing that persists throughout. The opening story, 'Gentlemen, You Can't Go Through!', introduces Wally Wallace, whose mission to 'put the Fore in Foursome' sets up a recurring concern: the etiquette and frustrations of the game. The narrator's flat-footed stance—'the end justified the means'—signals a pragmatic, humorous approach to golf's social dynamics.
The Dedication as a Key to Voice
The letter to Ed. Tufts is more than a courtesy; it is a compact with the reader. Van Loan describes Tufts as a 'chubby gentleman' pursuing a 'small white ball' in a wilderness of 'real estate signs,' blending nostalgia with self-deprecation. The phrase 'Cow-pasture pool' captures the early scorn for golf, while 'red-hot adjectives' hints at the colorful language to come. This dedication primes the reader for a collection that treats golf with both reverence and irreverence, where the sport's rise from fringe to popularity is mirrored in the characters' own struggles. The mention of 'Pico Street' and 'Los Angeles Country Club' grounds the work in a specific time and place, lending authenticity to the anecdotes that follow.
Handicaps and Delusions in 'Gentlemen, You Can't Go Through!'
The excerpt from the first story introduces a central tension: the gap between a golfer's self-assessment and reality. Henry Peacock, after a career-best round, insists he belongs in 'Class A' with a handicap of ten. The club official, Waddles, dismisses this as 'delusions of grandeur,' noting that Peacock's round was an outlier—'You'll never make an eighty-two again as long as you live.' The dialogue crackles with comic exasperation: Waddles orders Peacock to 'pray for humility' and blames 'lemonade' (spiked with gin, he suspects) for the inflated confidence. The scene reveals how golf handicaps become a battleground for ego, a theme that likely recurs throughout the collection. The narrator's aside—'I began to appreciate that line about the terrible insistence of the meek'—adds a layer of wry observation.
The Bish and the Persistent Novice
Later in the same story, the Bish—a fellow golfer—dismisses Peacock's practice as futile: 'he didn't take up the game till he was forty, and when he learned it he learned it all wrong.' This echoes a common golf trope: the hopeless latecomer. Yet Peacock's persistence, practicing approach shots alone, suggests a stubborn dignity. The Bish's casual cruelty—'page Doc Osler and have him put out of his misery'—contrasts with the narrator's more neutral stance. The excerpt also shows how social hierarchies operate at the club: Peacock's eagerness to join a foursome is rebuffed with a polite lie. These interactions build a portrait of golf as a social microcosm, where skill and status are constantly negotiated.
Structure and Expectations for a First Reading
The table of contents lists twelve stories, including 'Little Poison Ivy,' 'The Major, D.O.S.,' and 'A Mixed Foursome.' The title 'Fore!'—a warning cry on the course—suggests both danger and comedy. Based on the excerpts, readers can expect a consistent narrative voice: a seasoned golfer recounting clubhouse tales with a blend of affection and satire. The stories likely revolve around characters like Wally Wallace, Henry Peacock, and the Bish, each embodying a golfing type: the crusader, the deluded optimist, the cynic. The excerpts show a preference for dialogue and situational humor over technical description. First-time readers should attend to the social rules and unspoken codes that drive the plots, as well as the author's ear for the sport's peculiar jargon.
Van Loan's collection rewards readers who appreciate the game's rituals and absurdities. The excerpts suggest that each story will pivot on a single comic premise—a slow foursome, a disputed handicap, a stubborn beginner—executed with brisk dialogue and a knowing wink. Approach these tales as you would a round of golf: expect frustration, delight, and the occasional moment of unexpected grace. The real subject is not the swing but the company.
I keep thinking about that dedication in Fore!—how Van Loan seems to wave off his own seriousness, almost winking at the reader. It reminded me of reading Yekl: A Tale of the New York Ghetto — Edition Insights last winter, where the editors handle the immigrant story with the same tender restraint, nudging rather than grabbing. Strange, how two such different worlds can leave the same quiet ache.
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