Mathieu Ropars: et cetera — A Reader’s Guide

(0 User reviews)   835
Young, William, 1809-1888 Project Gutenberg 2012 Not confirmed
Poetry; Fiction; Short stories Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 58,294
Reading time 254 min
Text sections 6

Mathieu Ropars: et cetera — A Reader’s Guide can be approached with a clearer sense of reading commitment from its source measurements: 58,294 words, 4 hr 14 min estimated reading time, and 6 detected text sections.

The text analysis averages about 20.2 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Poetry,” connecting these edition facts with the source record’s subject description.

A collection of short stories, poems, and sketches by an ex-editor, mixing French-inspired tales like 'Mathieu Ropars' with fantastical visions of Arctic wrecks and allegorical guides, marked by abrupt tonal shifts and a self-aware, fragmented structure.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Unanimous was the cry of astonishment and delight. Prisoners in their island, it was several years since Ropars and Genevieve had seen a tree in blossom; and the two little girls could not recall to mind that they had ever seen one. Loudly and both at once, they beset Michael with questions. Was the cherry-tree flowering in gold-colour like the thorn-broom, or in the colour of blood like the sea-furze? How could the blossoms ever become fruit? Must they wait a long time? Would the tree bear the red cherries of the coast, or the black-hearts of the upper country? Dorot cut all these inquiries short, by declaring that he would come over next day, for the whole of the family, that they might see the wondrous tree and dine at the Ile des Morts. The ecstacies of the sisters may be imagined. Their mother could not check their laughing and their clapping of hands. They continued their cry of "to-morrow, to-morrow!" just as Aeneas' look-out men kept up their cry of "Italy, Italy!" when they saw through the empurpled vapours that goal of so many efforts and such longings.

Remarking their impatience, the sergeant proposed to carry them over, that very evening, with Michael. There would be still day-light enough on their arrival, for them to see the cherry-tree covered with its coat of summer-snow, and their parents could fetch them, next day. The children backed this offer with their entreaties; Ropars smiled, without replying; but Genevieve entered her protest against it. What would she do, if Francine and Josephe were away? Many a time ere this, on waking in the middle of the night, she had fretted herself at not hearing their gentle breathings; she had jumped up in agony, and had crept on tip-toe to their bed, to touch them and to listen to them; how would it be then, if they were not there; how could she herself sleep quietly without fancying some danger? She would dream that the powder-magazine was on fire, or that the Ile des Morts was going down like a vessel foundering--and all this was said betwixt a laugh and a tear. The little maidens, bent at first on setting off, were soon hanging on their mother's shoulders, touched by her contagious tenderness, and declaring that they preferred to remain. The artillery-man insisted no longer. He took with Mathieu the path that led down to the sandy shore, and was followed by Genevieve and the children, all silent for the moment.

The sun declining to the horizon lit up the promontory of Kelerne, and painted in the passage of Goulet a stream of purple and gold. A breeze began to play over the bay, and chequered it with undulating ripples. The perfume exhaled from the saps was wafted in puffs of wind from the main land, as were the tinklings of the Angelus, and the lowing of the cattle driven home. A consciousness of strength in repose was perceivable, together with an indescribable air of serenity, that stole from surrounding objects upon the senses, and found its way to the very depths of the soul. The sky, the earth, and the water seemed by mutual consent to have subdued their voices, in order to mingle them in one harmonious murmur. Without analyzing the soft but not enervating influence that surrounded them, the two keepers with their families were alive to its effects. Silently they went down the foot-path, pausing upon their steps, as though to lengthen out the sense of enjoyment, or to taste of it drop by drop. Having, however, reached the boat, it became necessary to part. Josephe made the sergeant promise to come for them early in the morning. The sail at last was hoisted; and the skiff, launched out upon the yielding waves, sped her way towards the powder-magazine.

At the moment when she reached the middle of the channel that separates the two islands, a ship's long-boat, unobserved hitherto in the excitement of leave-taking, appeared to leeward of Treberon. Her peculiar build, her black color traversed only by a single white ribbon at the water-line, and the perfect condition of her spars and sails, would have sufficed to show what she was, even if the costume of the double row of sailors ranged along the thwarts had not betrayed the man-of-war's men. On crossing the skiff steered by the sergeant, she was sheered suddenly off; and by the last glimpse of day-light might be discerned the yellow flag of the Health Office.

The volume opens with a translation from Emile Souvestre, describing two barren rocks off Brest—one a lazaretto, the other a powder-magazine—where "naked and sterile, the two isles remind you of a couple of immense" fortresses. This precise, almost clinical geography sets a pattern: the author, identified only as "An Ex-Editor," repeatedly anchors his narratives in specific, often desolate locations before veering into allegory or adventure. The table of contents lists twenty-three items, ranging from the title story to charades, suggesting a miscellany assembled from newspaper contributions between 1848 and 1866.

From Breton Shores to Arctic Ice

The opening story, set in the roadstead of Brest, establishes a tone of stark observation: the islands offer "nothing to the eye save a succession of stony slopes, dotted here and there with coarse moss and prickly thorn-broom." This attention to barrenness recurs in a later excerpt, where a shipwreck is described as standing "upright, thy bows grovelling in the ice, thy stern uplifted high in air." The author moves from French coastal detail to a fantastical balloon journey over the Arctic, where the narrator sees the lost ships Erebus or Terror frozen in place. The shift is abrupt, yet both sections share a fascination with isolated, inhuman landscapes—whether man-made granite buildings or natural ice formations.

Allegorical Guides and Shifting Tones

In the Arctic passage, the narrator's guide transforms: first recognized as Despair, "by his hideous features," then replaced by Hope, whose presence tints the balloon "with the hues of the rainbow." This explicit allegory is handled with a matter-of-factness that contrasts with the earlier, more realistic description of the wreck. The author does not explain the transition; instead, he lets the narrator's emotional state dictate the shift. The same technique appears in the table of contents, where titles like "Sliding Scale of the Inconsolables" and "The Tramper's Bed and the King's" hint at a playful, sometimes sardonic voice. The collection seems to oscillate between earnest sentiment and ironic detachment, a tension that may reflect the author's journalistic background.

Fragments and Forms: A Miscellany of Genres

The volume's subtitle, et cetera, signals its miscellaneous nature. Alongside short stories and poems, it includes "Charades" and a piece titled "A Singular Anagram." The author describes these as "literary chips from the workshop of an arduous profession," implying they are occasional pieces rather than a unified work. The excerpts show a writer comfortable with multiple modes: the precise topography of the opening, the gothic horror of the frozen ship, and the allegorical balloon journey. Yet the transitions between these modes are abrupt, and the reader is left to infer connections. The collection does not build toward a climax; instead, it offers a series of discrete experiments in tone and genre, held together by the author's distinctive, often wry, editorial voice.

Readers approaching Mathieu Ropars: et cetera should expect a collection that resists easy categorization. The author's note that these pieces were "contributed to the 'Albion' newspaper" suggests they were written for a periodical audience accustomed to variety. The book rewards those who enjoy tracing how a single writer handles different genres—from translation to fantasy to satire—without smoothing over the seams. Pay attention to the recurring imagery of isolation and the narrator's shifting emotional states; they may be the closest thing to a unifying thread.

I’ve shelved Mathieu Ropars: et cetera for years, always catching its odd, wintered light. The way its fragments stop mid-breath—that felt familiar. Then I found White Fire — Reading Notes, and understood: some books keep quiet company, sharing a patient, unwritten margin between their lines, like old friends nodding across a reading room.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Record your reading impressions

A brief reflection can help important ideas stay with you longer.

Your progress 0 / 10
1

Which reading stage best describes you?

2

Did this book hold your interest?

3

Would you pass this book on to a friend?

4

How demanding did the text feel?

Related eBooks