Out of Mulberry Street: Stories of Tenement life in New York City — Themes and Context

Square was out in the fields, and Harlem had a foreign sound. The fashionable audiences are gone long since. To-day the church, fallen into premature decay, but still handsome in its strong and noble lines, stands as a missionary outpost in the land of the enemy, its builders would have said, doing a greater work than they planned. To-night is the Christmas festival of its English-speaking Sunday-school, and the pews are filled. The banners of United Italy, of modern Hellas, of France and Germany and England, hang side by side with the Chinese dragon and the starry flag--signs of the cosmopolitan character of the congregation. Greek and Roman Catholics, Jews and joss-worshipers, go there; few Protestants, and no Baptists. It is easy to pick out the children in their seats by nationality, and as easy to read the story of poverty and suffering that stands written in more than one mother's haggard face, now beaming with pleasure at the little ones' glee. A gaily decorated Christmas tree has taken the place of the pulpit. At its foot is stacked a mountain of bundles, Santa Claus's gifts to the school. A self-conscious young man with soap-locks has just been allowed to retire, amid tumultuous applause, after blowing "Nearer, my God, to thee" on his horn until his cheeks swelled almost to bursting. A trumpet ever takes the Fourth Ward by storm. A class of little girls is climbing upon the platform. Each wears a capital letter on her breast, and has a piece to speak that begins with the letter; together they spell its lesson. There is momentary consternation: one is missing. As the discovery is made, a child pushes past the doorkeeper, hot and breathless. "I am in 'Boundless Love,'" she says, and makes for the platform, where her arrival restores confidence and the language.

In the audience the befrocked visitor from up-town sits cheek by jowl with the pigtailed Chinaman and the dark-browed Italian. Up in the gallery, farthest from the preacher's desk and the tree, sits a Jewish mother with three boys, almost in rags. A dingy and threadbare shawl partly hides her poor calico wrap and patched apron. The woman shrinks in the pew, fearful of being seen; her boys stand upon the benches, and applaud with the rest. She endeavors vainly to restrain them. "Tick, tick!" goes the old clock over the door through which wealth and fashion went out long years ago, and poverty came in.

Tick, tick! the world moves, with us--without; without or with. She is the yesterday, they the to-morrow. What shall the harvest be?

Loudly ticked the old clock in time with the doxology, the other day, when they cleared the tenants out of Gotham Court down here in Cherry street, and shut the iron doors of Single and Double Alley against them. Never did the world move faster or surer toward a better day than when the wretched slum was seized by the health-officers as a nuisance unfit longer to disgrace a Christian city. The snow lies deep in the deserted passageways, and the vacant floors are given over to evil smells, and to the rats that forage in squads, burrowing in the neglected sewers. The "wall of wrath" still towers above the buildings in the adjoining Alderman's Court, but its wrath at last is wasted.

It was built by a vengeful Quaker, whom the alderman had knocked down in a quarrel over the boundary-line, and transmitted its legacy of hate to generations yet unborn; for where it stood it shut out sunlight and air from the tenements of Alderman's Court. And at last it is to go, Gotham Court and all; and to the going the wall of wrath has contributed its share, thus in the end atoning for some of the harm it wrought. Tick! old clock; the world moves. Never yet did Christmas seem less dark on Cherry Hill than since the lights were put out in Gotham Court forever.